Theatre Tips

The Top 10 Shows I Want to See Next

  1. An American in Paris (Dominion Theatre) – A beautiful Gershwin musical that is the talk of the West End, which I cannot wait to see in May!
  2. Mamma Mia (Novello Theatre) – This is a long running show, but I am still yet to see it. I love the film, and all of ABBA’s classic songs, so I think this show would be very entertaining.
  3. Motown the Musical (Shaftesbury Theatre)
  4. School of Rock (New London Theatre)
  5. The Girls (Phoenix Theatre) – After their stunning Olivier Awards performance, I would love to see this show written by Gary Barlow.
  6. Jesus Christ Superstar (Regent’s Park Open Air Theatre)
  7. Hamilton (Victoria Palace Theatre) – Who doesn’t want to see this smash hit musical?
  8. Judy! (Arts Theatre)
  9. The Book of Mormon (Prince of Wale’s Theatre)
  10. Our Ladies of Perpetual Succour (Duke of York’s Theatre)
  11. Harry Potter and the Cursed Child Parts 1 and 2 (Palace Theatre) – Technically, this makes my list a top 11, but I couldn’t not include this play that was highly praised at the Olivier Awards!

I hope this list has given any theatergoers some inspiration (if you’re looking for an idea of what to see next). Of course there are tonnes of amazing musicals and plays in London and on tour right now, and this list names but a few. Let me know what shows you’ve seen recently (ones you’ve enjoyed, or even ones you didn’t).

Dealing with Drama School Rejection

Hello everyone, I cannot believe this is my first post of 2017! Better late than never I suppose.

In around October/November 2016 I applied to study Musical Theatre at three drama schools and three universities. I had one audition in December, two in January and one in February. I attended all three of the drama school auditions, and one of the university auditions, but as I researched into the other two universities (and thought about the fact that I would also have to pay to audition there and travel to these auditions) I decided to withdraw my applications. I’ll admit, I was hopeful that one of the drama schools would offer me a place, or even a callback, but that wasn’t the case. The one university I auditioned for offered me a place, but on a different course. Then, slowly, all of the drama schools rejected my applications and my dream seemed to be drifting further and further away from me. It was a very difficult time for me for several reasons:

  1. As I’d been accepted into a very good university, everyone assumed that I would just study there come September. Yes, I did consider it for a while, but I always had a gut feeling that it wasn’t the right thing to do. I didn’t accept or decline the offer, I just left it sat in my UCAS account while I made a decision.
  2. I currently study Musical Theatre at college, so of course almost everyone in my class was also auditioning for drama schools and universities. It seemed everyone was being inundated with offers, except me. We would all sit down discussing where we were planning to study next year, and people would be debating about which drama school they should go to (as they’d had multiple offers), or which uni they should go to (as again, they’d been offered several places). People would always ask me ‘Lucy, where are you going in September?’ and when I’d say I was unsure, I’d always get the same response ‘But you got into that university didn’t you?’.
  3. Rejection is hard to deal with on your own, let alone when you are constantly being compared with everyone else in your class, and around you. I have met lots of people over the years, and made lots of friends, who also auditioned for drama schools. I scrolled through countless ‘I got into drama school!!!!!’ Facebook posts, and this just knocked my confidence every time. Even without thinking about other peoples success, I was miserable. It was all I could think about, and all I could think was that I was a failure. People said to me ‘Maybe it’s not your time’ and ‘Just try again next year’ or ‘You could still go to university’.

This was the most uncertain I’d ever felt about my future, ever. I didn’t want to take a gap year, as I want to keep training and improving. Lots of people I know who take gap years never end up pursuing their drama school dreams (some do, I’ve just not met many people who do). So, from here I decided to stop moping around and look for more courses to apply to. The trouble with gap year courses and one year foundation courses is that they aren’t cheap, but I was prepared to do whatever is takes. I applied for a foundation course at a top drama school, and a gap year course at a theatre school which is fairly near where I live. I was considering applying for more gap year courses (as there are a lot out there) but I decided to see how my auditions for these two went first.

I auditioned for the drama school foundation course in March, and again, I didn’t get in. At previous auditions, I’d had to wait for a while to hear back from them (as to whether I had been given a recall audition or not) but at this school, they told you right there and then to your face. I’d held it together well at all of my other auditions, and when I’d heard back from schools. Of course, I’d cried over being rejected several times, but whenever news was given to me, I’d always been strong and put on a brave face. This audition was different. I felt like this was my last chance to go to drama school, and so when I was told that I didn’t even get a recall, I was devastated. I have never wanted to leave a building so quickly in my life, as I didn’t want to embarrass myself and let everyone at the audition see me so upset.

At this point, it looked like I was going to have to go to the local stage school for a year, which was difficult for me to accept. Luckily, I’d had an email from one of the drama schools I applied for, saying that although they didn’t offer me their three year degree, they’d like me to audition for their foundation course. I accepted the offer, as this was my favourite drama school out of all of the ones I had visited, and waited to hear back from them. The next piece of news I received from them was that I didn’t need to audition, they would just base their choice on my previous audition.

So I waited to hear from them, and during this time I was rejected from the other foundation course I was describing earlier. I’ve always believed in the term ‘everything happens for a reason’, but at this point I just felt defeated. The day after I’d been rejected again, I went into college and did my lessons as usual. At the end of the day we had a ballet class which I completed, and then packed up my stuff and looked at my phone. I had an email notification, so I frantically opened it and discovered that I had been given a place on a foundation course at my favourite drama school. I immediately burst into tears (of joy, of course) and my whole class ran over and gave me a massive hug. I then ran outside to tell my mum, who also shed a few tears over the news. I have to say, this was definitely the best moment of my life. Finally, I wasn’t a failure, I was going to a drama school, and it was one that I had fallen in love with when I auditioned. I still cannot believe it. I later declined my uni offer, and accepted my place on the foundation course.

After this experience I thought that everything really does happen for a reason. If I had been offered a place at another drama school, or I’d accepted my place at university, I wouldn’t have the offer that I have now (an offer that is the best thing to ever happen to me). I went through a really hard time, and I know that probably sounds ridiculous when there are people suffering and fighting harder battles than me all over the world, but I really did go through months of feeling lost. An analogy I used to describe those months of rejection was that I was stuck in a little wooden boat with no oars, there were holes in the boat (so it was sinking), the water was still and everyone was cruising past me in their luxury speed boats while I was stuck in my little sinking boat. Thankfully, someone threw me an oar when I was offered a place, and I have never felt so blessed and so lucky in all my life.

I think the message I’m trying to send here is to never give up. Yes, people say that all the time, but really, don’t ever give in. I went through knock back after knock back, but it was all worth it in the end. Just know that there is always something better waiting for you on the other side.

As I researched into a lot of options for what to do if you don’t get into drama school, I would like to share those with you (as they may help you out if you are still trying to find something to do come September).

  1. Go to university, work your hardest, and then complete a Masters Degree at a drama school (but remember, you will have to fund that extra year yourself).
  2. Start trying to find work and learn on the job as you go (get an agent, join casting websites, go to open casting calls and just try and see if you get any work even with no training). Another good way to get experience is to accept unpaid acting jobs (giving you contacts and credits for your C.V.).
  3. Apply for gap year courses and foundation courses (they will help you gain skills, but again remember you will need to fund this yourself).
  4. Create your own work. Find others in the same boat and set up a theatre company, write plays, write songs, enter competitions and get your own ideas out there.
  5. Make a YouTube channel where you post singing videos or acting videos, you never know who may end up watching it.
  6. Remember that you can always get a job (maybe in a theatre) and then re audition for drama schools next year.
  7. Is the drama school route really right for you? Have you looked into other courses that may interest you? A lot of people who get rejected are glad that they were, as it helps them discover another passion (maybe for writing or directing) so you could see where a different path may lead you. However, if you are determined to be a performer, then don’t give up.

I hope that this helps anyone who was also rejected from drama schools, or even to prepare people who want to apply for them at some point. Whatever happens, just know that it will make you more experienced, and you will have to work harder and for longer to get where you want to be, but that’s okay too. The struggles you face will make you more grateful for your success’ in the end.

Drama School

Lately, I’ve been preparing to audition for drama school (as I will have to apply later this year). At first I thought that I would just audition for all the top schools in London and maybe I would get a place somewhere and everything would be fine. However recently I have realised that it isn’t that simple…

The Truth About Drama Schools:

  • It’s expensive. I thought I had far more options than I actually do, because I was under the impression that every BA (Hons) degree course could be funded by a student loan, when in fact a lot of drama schools require you to self fund your place (and realistically, who has £40,000 lying around?).
  • Not every school will be right for you. Each course is different, and if you’re more of a dancer there is no point going somewhere that focuses mainly on acting. Also the atmosphere in a building can differ, as well as the kind of students who attend each school. I have only visited one drama school so far, but this is a useful thing to do as you can start to see what you like/don’t like in a school. 
  • If you don’t get into a three year course first time, there aren’t many backup options. Of course you can take a gap year, but if you want to stay in education there aren’t many 1 year courses available that don’t cost the earth (as you can’t apply for a student loan for these sorts of courses). 
  • It’s a bigger decision and more serious process than you think. It’s all well and good having the ‘drama school dream’ but in reality you will have to attend this school for about 3 years, and you will have to live there (so making sensible decisions is vital).
  • Many drama schools don’t have accommodation. Often, some drama schools are independent and therefore you will have to find somewhere to live nearby (and for an 18 year old leaving home for the first time, getting a flat in central London could be quite daunting). It’s as much about the area surrounding the school as it is the school itself, as a safe/nice location can make all the difference.
  • Saying that you’ll just ‘audition everywhere and go wherever I’m accepted’ isn’t the best idea. Each audition will cost about £45, so if you go to 10 schools you’ll have to find nearly £500 before you’ve even begun paying tuition fees. Also, not all of these places will be good for you or right for you, so you need to research all your options and think about what you want.
  • I knew that drama schools are hard to get in to, and the audition process is very competitive, but some schools have around 2 thousand applicants for about 30 places. 

However I’m glad that as I’m researching my options more and actually evaluating where I should apply, I am learning a lot about what my future could hold for me. I’m hopeful that I will gain a place at one of the drama schools I audition for, but there are always other options so I’ll continue to keep learning. 

Another topic that really interests me is the ‘uni vs drama school’ debate, so I will probably be posting about that once I’ve looked into it. University has always been an option I’ve considered, but at the moment I’m pretty convinced that it’s not right for me. 

5 Steps to Help you Select which Show to see

1) Decide whether you would rather see a play or a musical: You can determine this by considering if you would rather hear music and enjoy dance performances as well as acting, or just acting on its own. 

2) Research what’s on: The best way to do this is on the Internet, so you could search for West End (or Broadway) productions, or search for touring companies performing in a theatre near you. The other option is to see amateur plays/musicals, as they will generally be cheaper than professional productions, but may not be quite as good (depending on which amateur company you see). 

3) Read all of the synopsis’ of all of the shows that catch your eye: You could even listen to the soundtrack of a potential musical, but knowing whether you find the subject matter of the piece interesting is the most important thing. When reading reviews try and read a few if you can, as they may all have written about different aspects of the show, and may have mixed views on the quality of the piece. 

4) Pick which show appeals to you the most: and then you will of course need tickets. Decide whether you want to sit in the stalls or the grand circle etc, and of course consider your budget during this time. 

5) Finally, book your tickets for a date that works for you: (and that is not sold out already) and enjoy the show. 

A few extra things for you to consider:

1) Is this going to interest the age range I am booking for? (will it be inappropriate for your children, or aimed at far too young an audience for the elderly) 

2) Will this show still be around in a few months time if I don’t see it now? (If a show is only due to be performed for a limited time, and your other choice is one of the longest running musicals, I would suggest seeing the other show first before it leaves the theatre). 

3) Are the cast good? (If there have been incredibly poor reviews stating that the cast are all incredibly untalented, you may not enjoy the show so much). 

4) Do I want to cry or cry with laughter? (Depending on what mood you’re in, and what sort of thing you enjoy watching, you may want to tailor whatever show you pick to what emotions you want to feel. If you want to cry, go and watch Les Mis or Miss Saigon, but if you want to laugh, go and see Matilda). 

5) Do I want to see a new show, or relive an old experience? (Seeing a new show is probably the best option for most people, as some may see it as a ‘waste of money’ to see the same show twice, or they just want a change. However if the last time you saw something was years ago, or you really want to see your favourite show again then go for it! – After next month I will have seen Les Mis three times, and Wicked and Matilda twice , and I regret nothing).