auditions

Drama School

Lately, I’ve been preparing to audition for drama school (as I will have to apply later this year). At first I thought that I would just audition for all the top schools in London and maybe I would get a place somewhere and everything would be fine. However recently I have realised that it isn’t that simple…

The Truth About Drama Schools:

  • It’s expensive. I thought I had far more options than I actually do, because I was under the impression that every BA (Hons) degree course could be funded by a student loan, when in fact a lot of drama schools require you to self fund your place (and realistically, who has £40,000 lying around?).
  • Not every school will be right for you. Each course is different, and if you’re more of a dancer there is no point going somewhere that focuses mainly on acting. Also the atmosphere in a building can differ, as well as the kind of students who attend each school. I have only visited one drama school so far, but this is a useful thing to do as you can start to see what you like/don’t like in a school. 
  • If you don’t get into a three year course first time, there aren’t many backup options. Of course you can take a gap year, but if you want to stay in education there aren’t many 1 year courses available that don’t cost the earth (as you can’t apply for a student loan for these sorts of courses). 
  • It’s a bigger decision and more serious process than you think. It’s all well and good having the ‘drama school dream’ but in reality you will have to attend this school for about 3 years, and you will have to live there (so making sensible decisions is vital).
  • Many drama schools don’t have accommodation. Often, some drama schools are independent and therefore you will have to find somewhere to live nearby (and for an 18 year old leaving home for the first time, getting a flat in central London could be quite daunting). It’s as much about the area surrounding the school as it is the school itself, as a safe/nice location can make all the difference.
  • Saying that you’ll just ‘audition everywhere and go wherever I’m accepted’ isn’t the best idea. Each audition will cost about £45, so if you go to 10 schools you’ll have to find nearly £500 before you’ve even begun paying tuition fees. Also, not all of these places will be good for you or right for you, so you need to research all your options and think about what you want.
  • I knew that drama schools are hard to get in to, and the audition process is very competitive, but some schools have around 2 thousand applicants for about 30 places. 

However I’m glad that as I’m researching my options more and actually evaluating where I should apply, I am learning a lot about what my future could hold for me. I’m hopeful that I will gain a place at one of the drama schools I audition for, but there are always other options so I’ll continue to keep learning. 

Another topic that really interests me is the ‘uni vs drama school’ debate, so I will probably be posting about that once I’ve looked into it. University has always been an option I’ve considered, but at the moment I’m pretty convinced that it’s not right for me. 

School Musicals

School musicals. Love them or hate them, they happen every year. They give some talented students a chance to practice and improve their skills, and they give false hope to those who are cast “because everyone has to have a part”. But is the casting process in these shows realistic? Is it fair? We shall see.

In many schools it is a case of the older ones get the best parts, and the younger ones are usually just chorus members. “It’s their last show”, “You’ll get your chance when you’re older”, “They have more experience”. Yeah, right. This is not always the case. I understand that it may be their last performance with the school, but if they are not as talented as someone in one of the younger years, why should they be given the lead over them?

As a child I got fairly good parts, but I was usually an understudy who would be asked to fill in for a lead who was ill at the last minute. I was constantly told that I’d get my chance when I was older. And finally in primary school, I got into year 6 (the oldest year in the school) and I thought it was my time to shine. But no. That year they decided a year 4 should have the lead, as it is unfair to keep giving them to the older ones. Typical.

Then in secondary school, I was always a principal chorus member. Also, I continued to understudy leads, and as I mentioned on my blog before had to step in last year as Frenchy in Grease. And this year the production is Moulin Rouge, and I desperately wanted to be Satine. When I looked at the cast list it was the same as every year. The sixth form (the top of the school) were cast as the leads, and although I got a good part it was not what I had hoped for.

The other sad thing about these decisions is when you know you would work harder than whoever got the part over you, but the teachers just can’t seem to see that.

As well as this, some schools have started casting couples in the main romantic roles because they think it will be less awkward for them. Come on! It’s acting, people need to get over it.

Basically, it should be like a professional production. Whoever is the most talented, should be the lead characters, end of. Forget age, relationship status and other factors, the bottom line is the show will only be good if you cast the most talented kids. And if that means the youngest child in the show gets the lead then so what, they will do a much better job.

I’m sorry I haven’t written a blog post in so long, I’ve just had lots of school work to do recently, but I should be posting more regularly again soon. I’m in a play next week, so I may post about that, so watch this space.